Senza Titolo I (2023)
(L’anima diventa così natura, tempo e divenire)
Abrasioni su carta Sandings on paper
29,7x22,5cm
Untitled II (2023)
(L’anima diventa così natura, tempo e divenire)
Abrasioni su carta Sandings on paper
29,7x22,5cm
Aleksandr Vladimirovich Nuss (Alessandro Cavicchioli) (b.1999)
Aleksandr Vladimirovich Nuss (Alessandro Cavicchioli) (b.1999) was born in Saratov, Russia, and has been an Italian citizen since 2001, currently based in the vicinity of Modena (Italy). He has a Master's degree in Painting - Visual Arts Imaging Cosmogonies at the Academy of Fine Arts in Bologna and a Bachelor's degree in Sculpture at the Academy of Fine Arts in Bologna.
Usually,the artist is considered an homo faber:they and only they are the cause and effect of the artisticwork.Allowing the material to be the agent doesn't only determine the creative moment but also momen-ts of analysis and reflection,of interpreting the forms and artistic dynamics.
Looking at,understanding,appreciating a form doesn't just mean recognizing organic relationships,identiying withinthe substance a law that becomes one with it and manifests through it.Understanding a form means interpreting it,re-tracing the process that led to it:identifying,at the origin of the form,a formative intention and following its adventure,itspath,its success -retracing the visual process that led from the initial inspiration to the completed form,understandingthen,and only then,why the form succeeded in such a way and why it had to succeed that way.*
The artist and poetic approach focuses on grasping the aural essence,as cosmogony,of the artwork,emerging each time from the creative moment from the ongoing process:a certain precise memory (oraworld-image)resurfaces and the role of the creative processes helps to understand the reason why theparticular memory has emerged.It's like following the subtle path of the thread that connects past and future,or imaginated and exisinting.
Aleksandr Vladimirovich Nuss (Alessandro Cavicchioli）（b.1999）出生于Saratov, Russia。从 2001 年起，他成为意大利公民，目前在摩德纳（意大利）附近生活和工作。硕士就读于博洛尼亚美术学院绘画与视觉艺术专业 (Painting - Visual Arts Imaging Cosmogonies), 本科就读于博洛尼亚美术学院雕塑专业。
通常，艺术家被视为 “造物者”：他们，只有他们，才是艺术作品的因果。作品的原因和结果。让材料成为媒介不仅决定了创作的时刻，也决定了分析和反思的时刻，决定了对形式和艺术动态的解读。
观察、理解和欣赏一种形式，并不仅仅意味着认识到有机的关系，在物质内部识别出与之融为一体的规律。理解一种形式意味着对其进行解释，追溯其形成的过程：在形式的起源处确定形成的意图，并追随其冒险、其道路、其成功--追溯其形成的过程。追溯从最初的灵感到最终完成的视觉过程，然后，也只有这样，才能理解为什么会有这样的作品。然后，也只有这样，才能理解为什么这种形式会以这种方式取得成功，为什么它必须以这种方式取得成功。
艺术家和诗人的方法侧重于把握艺术品的听觉本质，即宇宙论、 艺术家和诗歌的方法侧重于把握艺术作品的听觉精髓，将其作为一种宇宙观。世界图像）再次出现，而创作过程的作用有助于理解特定记忆出现的原因。特定记忆出现的原因。这就像沿着连接过去与未来、想象与现实的线的微妙轨迹 或想象与现实的微妙轨迹。
Exhibition (selected)
2024
CosmoGiani: un atlante sensoriale, Fondazione Zucchelli, Bologna
a cura di Design People | Patrimonio culturale dell’Emilia Romagna
2023
Art Matters 8, Galerie Biesenbach, Köln/Cologne, Germany
Crogiolo, Fondazione CARISBO, Palazzo Saraceni, Bologna
a cura di Carmen Lorenzetti, Giuseppe Lufrano
Miracolo!, Comune di Treviglio
a cura di Sara Fontana
Rivisitazioni, Zu.Art giardino delle arti, Bologna
a cura di Carmen Lorenzetti
2022
LIMEN, diversamente reale, PARATISSIMA, Turin
a cura di Giorgia Bianco, Maria Sveva Scaglione, Simone Sensi
