•  

    broken image
  • Eyes and Limbs

    眼睛和肢体 no.3 

     

     

     

    2023

    Jun Zhou

    Coffee,Charcoal,Ink on Canvas

    50 x 60 cm

    Contact for price

     

    Jun Zhou

     

     

    Work Statement:

     

    抽象是一种情绪的游离态,我感觉我很难捕捉到一个精确的点或者坐标。
    好像在浪里前前后后,很模糊很暧昧。
    我想将一些我从斑块上找到的具体形象,介入到一种抽象的形式中。这很矛盾,但是我的确这么做,从一片区域出发,我幻想他的样子,不做出任何预设。于是,靠着些我摸索出不同的图像,像在黑暗里前进。所有的怪诞图像,都由抽象的斑块泥渍进化为具体的图像。

     

    Abstraction is an emotionally wandering state, and I feel like I'm having a hard time capturing a precise point or coordinates.

    It seems to go back and forth in the waves, very vague and ambiguous. I wanted to take some of the concrete images I found from the patches and intervene in an abstract form. It's paradoxical, but I do, starting from a patch, I fantasize about it without making any presuppositions. And so, by means of that, I map out a selection of different images, like moving forward in the darkness. All grotesque images evolve from abstract patches of mud stains to concrete images.

     

     

     

     

    Jun Zhou / 周俊, b.2004, China

     

     

    Solo Exhibitions

     

    YUAN ART CAVE 2023 HANGZHOU

     

    个展

     

    沙丘(YUAN ART CAVE) 2023 杭州

     

  • Absent Gallery 闲聊

     

     

    Absent Gallery:

    How would you describe your creation?

    你会如何讲述自己的创作?

     

    周俊:

    叙述作品即叙述生活和事件。如果观众想了解我的作品,我只能原原本本把我的生活和一些推动性事件讲述给他们,这样是最直观的。同样也是这样子让作品变成了一种代表情绪的,私密的东西。

    Narrating my work means narrating my life and events. If the audience wants to understand my work, I can only recount my life and some driving events to them as they are, which is the most intuitive. In this way, the work becomes an emotional, intimate matter.

     

     

    Absent Gallery:

    What factors have influenced your creation?

    请谈谈你的艺术创作受哪些因素影响?

     

     

    周俊:

    我感觉一切都可以成为“因素”,我把这些“因素”看作漂浮物。把你自己想象成一个在水中游泳的鳄鱼,假如你浮出水面而水面上有一片假发。那你们暂且成为一体成为一个“有头发的鳄鱼”,这个“有头发的鳄鱼”便是“作品”。所以我也不知道水面上有什么,太复杂了......

    I do feel that everything can be a "factor", and I think of these "factors" as floating objects. Imagine yourself as a crocodile swimming in the water, and if you surface and there is a piece of wig on the surface. Then, for the time being, you become one and become a "crocodile with hair", and this "crocodile with hair" is the "artwork". So I have no idea what's on the surface, it's too complicated ......

     

     

    Absent Gallery:

    What are your upcoming plans or expectations for the artwork?

    未来对作品有什么计划或期待?

     

    周俊:

    作品是不可少的,他是我生活的附属。就像困意生成的“哈欠”。我要睡觉,它就必定有。所以我不担心怎么安排它。

    The work is indispensable, it is an adjunct to my life. It's like the "yawn" generated by sleepiness. If I want to sleep, it will happen. So I don't worry about how to arrange it.

     

     

    Absent Gallery:

    Please use one word to describe "Prelude". or describe in one word how you feel about "Prelude".

    请用一个词汇描述“序幕”或者 用一个词汇描述对“序幕”的感受/想法。

     

     

    周俊:

    “序幕”就像一个纱帘,半透不透,马上要揭开谜底,但是你必须等待。它是一场“精妙的等待”吧。

    "The Prologue is like a veil, half-permeable, soon to be revealed, but you have to wait.

    It's a "subtle wait".

     

    broken image

    周俊

    JUN ZHOU

    现工作生活于中国杭州